Giant Squid Creations

Thought I might do a quick review of what I've been reading this month - if for no other reason than keeping it clear in my own head. I already mentioned the Elric novels so that was a big portion of it. The other big one was Robert Chamber 's The King in Yellow . I got this from the University of Adelaide ebook site as it was mentioned in terms of Weird fiction and having influenced HP Lovecraft. It was weird all right but not always in the sense of the supernatural genre. It's a collection of short stories, the first four of which make reference to a fictional play, the eponymous King in Yellow. This play is so artistically wrought that anyone who reads it, or at least the second act, is mentally disturbed by it or downright insane. This concept Lovecraft liked and he referenced the play or the places mentioned in it a few times. He also liked some of Chamber's style at times. The rest of the stories in the book, which make up the other two-thirds or so, have n

I said in a previous post that I might write about the Elric novels I've been reading and to stop myself from debating whether I will or not I am. Many of you will already know something about them even if you've never read them but for those who don't I'll give a quick idea. Elric is the last emperor of Melnibone, an ancient and decadent empire. He can summon aid from demons and elementals and has a sword of mystical origins which forms a love-hate symbiosis with him. All of this is part of Michael Moorcock's multiverse where Elric becomes just one facet of the Eternal Warrior. It's epic fantasy but in episodic form. Every novel (of the first five which is all I've read so far) is divided into three and each section is its own story which was published in a slightly different version (or not) in journals. At least that's how they're designed. So the chronology occasionally jumps slightly but the stories do follow one after the other even if some

So I've been thinking today about my playwrighting and where it's going/hasn't been going. Aside from numerous personal factors, I think one reason so little happened for as long as it didn't, was that I can never seem to produce anything that would be deemed a full-length play. This strictly speaking shouldn't really matter - Samuel Beckett only wrote one, his first. After that his works got shorter and shorter as he tried to produce a pure theatrical image. However, outside festivals of 10-minute plays and the occasional special event of one-act wonders there's little call for shorter works. But I've also realised I'm not interested in writing a long play. I have stories to tell and theatrical images to attempt, and my style of telling these stories is generally very quick. My longest play actually suffers from its size I think - that and it has a light and a dark side that don't mesh. What does excite me is an idea I've tossed around in my

Just spent a few wonderful days relaxing with my wife on the South Coast. We needed a getaway so we took one. We stayed at Bewong River Retreat which is a series of bungalows right in the bush. It's designed for couples - no kids allowed - and I'd certainly recommend it if you want to get away from the world. It really does feel like you're in the middle of the bush, largely because you are. There are birds aplenty, kangaroos all around and even some wallabies. It's also right on the river. While there we went for a bit of sightseeing and saw Green Patch, which is just idyllic, and Sanctuary Point. There were many birds and another wallaby but the echidna was the biggest thrill. It was by the side of the road at the end of a National Parks road and was very intent on some tasty ants so didn't mind us at all. I managed to get some writing done too, adapting an earlier version of a scene in The Scarlet Ring and writing the following scene which I had no idea ho