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Subgenres, Wikipedia and Finding My Geek Niche

I had some free time so I was browsing Wikipedia and ended up reading the articles on Sword and Planet and Planetary Romance . They clearly haven’t been written by the same people as they differ on a number of points. The Sword and Planet article, which I think is a better constructed piece than the other, argues that it is a distinct genre from Planetary Romance, whereas the latter article has a non-committal discussion on ‘sword and planet’. Once the article on Space Opera is added to the mix things get even more confusing as it had a section arguing its definition in opposition to Planetary Romance – since one happens in space and comes from Westerns and Seafaring epics whereas Planetary Romance happens on a planet and is tied to lost world and lost civilisation tales. Who knows what happens when stories go from outer space to a planet and back again? Now, I know opponents of Wikipedia will jump on this opportunity to say it’s more proof of its inaccuracy and inconsistency, ...

September Reading Round-up

This month was mainly marked by two books, Kevin J Anderson’s Hopscotch and Frank Herbert’s High-Opp . I did also read issue 62 of Aurealis. Let’s start with Hopscotch . The concept behind this is really intriguing; basically at some point in human evolution we gain the ability to swap bodies with each other, which makes the old adage of ‘live a day in another person’s shoes’ seem rather quaint – shoes? Bah, I was in their feet. The possibilities with this are huge and unfortunately the book tries to cover a lot of them. It follows four orphans as they leave the orphanage and enter this brave new world. They each have their own paths and the stories wind their own ways, overlapping only in characters for the most part. At first it was like reading a series of interrelated short stories and I was enjoying that, but as the stories began to spin out I kept waiting for more to happen. So while I did enjoy it, Hopscotch could have been much better I feel. It explored too many ideas, the...

Author Profile - Clark Ashton Smith

Clark Ashton Smith came from a poor background and spent much of his early life trying to earn money for his family. But even while young he displayed a love of story and a passion for language. Some of his earliest works were written as a teenager and they were strongly influenced by the Arabian Tales, an influence that would linger. He abandoned prose for some years and was a fairly successful poet. After his first published volume he was taken under the arm by George Sterling and mingled with fellow poets of the time including Ambrose Bierce. Nowadays he’s remembered for his short fiction works which he wrote primarily for pulp magazines like Weird Tales. In fact, in terms of the ‘weird’ fiction of the pulp era he was one of the three heavyweights along with Lovecraft and Robert E Howard, and while those two may be better known these days I would argue Smith is the better writer of the group. The ties between the three, while primarily through letters, were highly influential...

AFP + GTO Concert - Sydney September 16, 2013

I want to say a few words about last Saturday night but I’m having a hard time finding them. In short, my wife, my teenage niece and I went to see Amanda Palmer and The Grand Theft Orchestra at The Enmore and the concert was brilliant. It was one of those nights where you can feel the energy and the positive vibes just radiating around the room. The performers were all full of life and bursting with energy and the mosh area was a wave of human activity and joyousness. What’s more, this energy wasn’t just for Amanda and her band, it was for the support acts too. Sure it built to its fever pitch when Amanda came out to perform and almost immediately crowd-surfed, but it was pretty high even as people were gathering and DJ S… was doing her thing. So when Die R… came out to do their thing the mood was ready for fun. If only Otto and Astrid could deliver – oh wait. So, Die Roten Punkte or The Red Spots in English, are … how does one put this? … insane? Hmm, not quite. Hilarious woul...

August Reading Roundup At Last

Since my promise of regular posts I’ve been quiet, sorry about that. I have been busy though – preparing the house for a baby, which is ongoing, writing some freelance articles, studying some free courses via Coursera and watching my wife get a kiss from Amanda Palmer. I’ll write more about that last one soon, but first, before I completely forget, an August Reading Round-up. I finished Clarke Ashton Smith’s Emperor of Dreams . I really recommend it to anyone who enjoys visiting distant vistas of the imagination; the places I went to while reading it are amazing. I wouldn’t want to go to them for real but I’m very happy I could tour them in my mind. Some of the stories were a bit lack-lustre I admit and most of the plots weren’t great, but that wasn’t the reason for reading them. The atmosphere and the landscapes of these stories are their real strength. I also finished the Legends II anthology put together by Robert Silverberg. I had read most of this book years ago but still h...

Plans/Dreams

Inspired by various people (Felicia Day, Amanda Palmer, Wil Wheaton, Neil Gaiman et al) and by life events (impending fatherdom) I’m going to try to treat the whole Wandering Friar enterprise – which is mostly to say my writing and this blog – as a business. As such I’m going to endeavour to post more regularly and have regular features, like my reading round-ups and author profiles, which will now be monthly events. I have also been thinking of ways to expand Wandering Friar and pursue my dreams more fully. One of the things I’m planning on is to record audiobooks. These will be of public domain titles, particularly Gothic and post-Gothic works and Metaphysical poetry. Another plan/dream is to develop my own RPG set in one of the many worlds I’ve dreamt up over the years. I’m thinking The Destroyed Continent will make a good start. It’s a huge archipelago which, funnily enough, used to be a continent until some cosmic disaster I haven’t yet determined the nature of. So there’ll ...

Rosencrantz and Guildenstern Are Dead

1996. Year 11. My memory of that year is that it was always overcast. When I try to think of sunlight all I remember is the girl I had a huge crush on at the time, her face was never in shadow. It was the year my chronic fatigue was at its worst and life was all a bit hard and confusing. It was also a transformative year. I wrote most of our drama class’s recreation of the Eureka Stockade, I studied Hamlet and I discovered Tom Stoppard’s Rosencrantz and Guildenstern are Dead . Suddenly, amidst the bleak mists of illness teenage and addlement I knew what I wanted to do. I wanted to write plays. I don’t think I can overestimate the impact Ros & Guil had on me at the time. It was hilarious and demonstrated a high level of wit, but it also had these speeches of philosophical quandaries. Quite simply it was breathtaking and life-changing. But I never saw it performed – live anyway and the film is a different beast, still brilliant but different, and well, it’s a film so it can’t b...