I watched Jupiter Ascending with my wife last night. When it was finished she asked me if I enjoyed it, I said I did and asked her opinion, she thought it was terrible and had ended up watching it for how bad it was. Now, we don't agree on everything and this is hardly the first movie I enjoyed that she didn't, but I realised I enjoyed it because it was in the tradition of the old pulp novels of the first half of last century, which I love. But being a fan of such pulp fiction does require you to forgive certain things other people may not.
Jupiter Ascending is a Planetary Romance slipped it into an action film. Consequently, the characters don't get much depth and are rather two-dimensional, and some of the villains (Titus in particular) seem somewhat ludicrous. But the whole notion of planets being farmed by galactic mega-corporations is fun pulp SF and the plot is ripe for a serialisation in old-school Amazing or Astounding. And from that point of view it's a good movie. From today's standards my wife is right and it's a shocker.
I think my tip-off to its pulp nature was when it was ending and I started thinking of the series of sequels that could follow as Jupiter's secret ownership of Earth and connections to the larger universe complicate her otherwise normal family life. What were her other properties? Would the surviving villains try new ways to take her inheritance? It's stuff Edgar Rice Burroughs and his ilk would dream about. And I was dreaming about it too.
Which is serendipitous as I come into the year I start my Masters. It confirms my ideas of researching within the founding years of modern Speculative Fiction and the ongoing wonders such traditions started. It's where my geek-dom lies after all.
For the record, I think Jupiter Ascending could have been helped by cutting the sister and just having the two brothers, allowing for more character development. Although, where exactly you'd go with the characters is beyond me, so it's probably best as it was. Ideas, stunning visuals and fun action, with a nice romance - pulp SF at its best.
Keep dreaming!
Monday, 18 January 2016
Sunday, 13 December 2015
The Silkie by A.E Van Vogt
Years ago there was a shop called Lazy Daze in Penrith. It sold second-hand CDs and books and I loved it. The owner had a terrible head for business though, whenever I bought things he'd do a rough adding up then round it down, sometimes quite a lot. I guess he hated giving change. And the stock was under-priced to start with. But he had some good stock, I got a lot of stuff from Lazy Daze.
One such find was The Silkie, one of A.E Van Vogt's short novels, it cost me $2. At the time I'd buy pretty much any Van Vogt novel Lazy Daze had. I read most of them years ago, The Weapon Makers, The Moon Beast, The Voyage of the Space Beagle ... but when I tried The Silkie, for some reason I just didn't get into it. I stopped reading it not long after the prologue I think. So, I finally got around to reading the whole thing (all 156 pages).
I'm not surprised the prologue put me off, for one thing there doesn't seem much point to it. We have this character who has a quest, it seems like that quest is about to start when she meets a new character. End the prologue, flash forward a couple of centuries ... never go back besides some historical references the actual main character makes. I suspect it shows a change in idea or something like that as this reads like one of Van Vogt's stitch-ups. He was very good at taking a number of short works on a theme or centred on a character and putting them into novel form. And The Silkie reads like three short stories put together, so I presume it really is.
In this case the stories follow the life of Nat-Cemp, a Silkie, which is a species which can shapeshift to human-like being, underwater breather or the space dwelling Silkie shape which can live in the vacuum of space and has hugely advanced mental powers and perceptions. The three episodes set Cemp up against three beings of even higher abilities, thus escalating the risks but also the ideas Van Vogt is throwing around.
In that respect it reminded me of The Voyage of the Space Beagle, which is a series of encounters made by the scientific exploratory ship whereby the hero can demonstrate the wonders of his super-science which bridges every field of science into one. That may not sound terribly exciting the way I've put it but it actually is an enjoyable read with some intriguing situations thrown up. The Silkie however didn't, in my estimation, come close to succeeding on the same level.
While the episodes see some escalation they still seem somewhat same-same, although the history of the silkie species makes for a diversion in one of them. Moreover, the ideas being explored are very hard to connect with. It's all a question of higher perceptions beyond the human and the mental 'weapon' of 'logic of levels', where a mentally planted suggestion causes the body to follow through the logical succession of events to that suggestion/perception. It's airy-fairy and treated in a somewhat rambling way. And Cemp is so unemotional himself it's impossible to really care about him - which is the main issue with Space Beagle, but here it's worse.
Not A.E Van Vogt's best by a long shot.
Keep dreaming!
One such find was The Silkie, one of A.E Van Vogt's short novels, it cost me $2. At the time I'd buy pretty much any Van Vogt novel Lazy Daze had. I read most of them years ago, The Weapon Makers, The Moon Beast, The Voyage of the Space Beagle ... but when I tried The Silkie, for some reason I just didn't get into it. I stopped reading it not long after the prologue I think. So, I finally got around to reading the whole thing (all 156 pages).
I'm not surprised the prologue put me off, for one thing there doesn't seem much point to it. We have this character who has a quest, it seems like that quest is about to start when she meets a new character. End the prologue, flash forward a couple of centuries ... never go back besides some historical references the actual main character makes. I suspect it shows a change in idea or something like that as this reads like one of Van Vogt's stitch-ups. He was very good at taking a number of short works on a theme or centred on a character and putting them into novel form. And The Silkie reads like three short stories put together, so I presume it really is.
In this case the stories follow the life of Nat-Cemp, a Silkie, which is a species which can shapeshift to human-like being, underwater breather or the space dwelling Silkie shape which can live in the vacuum of space and has hugely advanced mental powers and perceptions. The three episodes set Cemp up against three beings of even higher abilities, thus escalating the risks but also the ideas Van Vogt is throwing around.
In that respect it reminded me of The Voyage of the Space Beagle, which is a series of encounters made by the scientific exploratory ship whereby the hero can demonstrate the wonders of his super-science which bridges every field of science into one. That may not sound terribly exciting the way I've put it but it actually is an enjoyable read with some intriguing situations thrown up. The Silkie however didn't, in my estimation, come close to succeeding on the same level.
While the episodes see some escalation they still seem somewhat same-same, although the history of the silkie species makes for a diversion in one of them. Moreover, the ideas being explored are very hard to connect with. It's all a question of higher perceptions beyond the human and the mental 'weapon' of 'logic of levels', where a mentally planted suggestion causes the body to follow through the logical succession of events to that suggestion/perception. It's airy-fairy and treated in a somewhat rambling way. And Cemp is so unemotional himself it's impossible to really care about him - which is the main issue with Space Beagle, but here it's worse.
Not A.E Van Vogt's best by a long shot.
Keep dreaming!
Thursday, 10 December 2015
After a Long Hiatus ...
It's been far, far too long since I wrote here and I've read a lot in that time and written a fair bit too. I'll try to do some catch-up entries about some of the things I read, particularly Algernon Blackwood's short stories and a couple of trilogies I got through.
The last book I finished was Across the Wall, which is a short story anthology by Garth Nix, an Australian fantasy author. I hadn't read any of his work before but I heard him in a seminar at Supanova one year and bought this volume afterward and got it signed, of course. I'm happy to say it the whole collection was delightful. The stories were a good mix but he has a distinctive style which I enjoy. They tend to action with a dark side with flashes of humour. It's also very readable and entertaining so I'll look into the Abhorsen cycle when I get a chance.
Keeping on a signed at Supanova theme, I also read Kate Forsyth's Bitter Greens. This was a combination fantasy and historical fiction, and was simply sumptuous. Reading a story about an author hearing a story she will write down and make famous is a bit meta-fiction but the way Kate Forsyth wrote it isn't very meta, for which I'm glad (not that there's anything wrong with meta-fiction per se). The court of Louis IV comes to life through a side character who's probably more interesting than Louis ever was himself, and we hear a retelling of Rapunzel in the bargain. Kate's writing is rich without being overladen, and really brings the scenes to vivid life. And, for the record, whoever wrote the review quoted on the front cover about the high number of sex scenes in the book was overstating things. Yes, there are a few sex scenes and a lot of 'adult themes' but not as many as the quote suggests.
That's your lot for now. I'll do my best to keep posting more often. In the meantime,
Keep dreaming!
The last book I finished was Across the Wall, which is a short story anthology by Garth Nix, an Australian fantasy author. I hadn't read any of his work before but I heard him in a seminar at Supanova one year and bought this volume afterward and got it signed, of course. I'm happy to say it the whole collection was delightful. The stories were a good mix but he has a distinctive style which I enjoy. They tend to action with a dark side with flashes of humour. It's also very readable and entertaining so I'll look into the Abhorsen cycle when I get a chance.
Keeping on a signed at Supanova theme, I also read Kate Forsyth's Bitter Greens. This was a combination fantasy and historical fiction, and was simply sumptuous. Reading a story about an author hearing a story she will write down and make famous is a bit meta-fiction but the way Kate Forsyth wrote it isn't very meta, for which I'm glad (not that there's anything wrong with meta-fiction per se). The court of Louis IV comes to life through a side character who's probably more interesting than Louis ever was himself, and we hear a retelling of Rapunzel in the bargain. Kate's writing is rich without being overladen, and really brings the scenes to vivid life. And, for the record, whoever wrote the review quoted on the front cover about the high number of sex scenes in the book was overstating things. Yes, there are a few sex scenes and a lot of 'adult themes' but not as many as the quote suggests.
That's your lot for now. I'll do my best to keep posting more often. In the meantime,
Keep dreaming!
Wednesday, 16 September 2015
You're Never Weird on the Internet (Almost) but you can procrastinate there - a lot
I was just sitting here playing a game on Facebook in a time I'd specifically arranged to do some writing, and while the guilt gnawed me further into inaction so I continued to play and feel more guilty, so worse, so less likely to do something constructive I remembered one of the things I wanted to write about. That is Felicia Day's book You're Never Weird on the Internet (Almost).
Felicia Day is an actress known for her roles in Buffy, Supernatural and others. I saw her in Buffy, but it was when I was belatedly introduced to Doctor Horrible's Sing-a-long Blog that I first really noticed her and learnt her name. Not long after that I was, also belatedly, introduced to The Guild, which is a web series (made before such things were things) that Felicia wrote and starred in. It's hilarious and well worth watching if you haven't.
From there I naturally discovered Felicia's online media company Geek and Sundry - this time just as it was launching, huzzah I was sort of current - and became a complete Felicia fan. Given I have spent several hours of my life watching her and her brother play retro video games I think that's fair to say - but it's very entertaining dammit! Don't knock it till you've watched at least one episode of Co-Optitude.
So, when she started promoting her book I was intrigued and pre-ordered it. Even so, it was likely to have sat on my to-read shelf for a long time since that's what I do, but for having just read Amanda Palmer's book and for a nudge from my wife, who'd also nudged me to read Amanda's book. Hmm, my wife has red hair, Amanda has red hair and Felicia has red hair and they have all recently (and ongoingly) inspired me. I'm noticing a trend.
Moving on. To be honest, initially I was slightly underwhelmed with the book. I was enjoying it, Felicia has a fun writing style with wit and a devilish self-deprecation I can truly relate to. But it wasn't until partway into it that I started to sense this was another important book for me to read at the moment.
It was the story of how she got The Guild from the worm of an idea in her head to an internet phenomenon that really inspired me. Mostly because it was a story of someone with a lot of doubt and confusion and similar mental habits/issues that I have. No mistake, we're very different with totally different backgrounds, but anxiety and depression are constants and the way Felicia describes her dealings with them rings very close to home for me.
And, just as I was a short while ago, Felicia played a lot of games - more than me, but at least not Facebook games, see I procrastinate around playing a decent game to procrastinate, it's another circle of not doing. She tells of how she kept putting off writing The Guild, and just generally not doing it for months and months. Then, with some encouragement and a large portion of guilt/why the hell am I doing not doing this-ness, she put a ridiculous constraint on how long she had to achieve her goal and she worked her butt off to achieve it. And so, The Guild was born.
Then no-one would produce it. So she did it herself, with friends of course not discounting them. But, the point is, she worked hard and she kept going and going until her dreams came to fruition and her story was told. She did what she loved because she got in there and did it.
She also learnt valuable lessons about not working too hard or being too much of a perfectionist, and I'll keep those in mind. For now, it's a matter of getting down and doing the things I love. This blog is a step in the right direction. Finishing some more of my writing goals will be more. I just have to keep working.
And of course - Keep dreaming too.
Felicia Day is an actress known for her roles in Buffy, Supernatural and others. I saw her in Buffy, but it was when I was belatedly introduced to Doctor Horrible's Sing-a-long Blog that I first really noticed her and learnt her name. Not long after that I was, also belatedly, introduced to The Guild, which is a web series (made before such things were things) that Felicia wrote and starred in. It's hilarious and well worth watching if you haven't.
From there I naturally discovered Felicia's online media company Geek and Sundry - this time just as it was launching, huzzah I was sort of current - and became a complete Felicia fan. Given I have spent several hours of my life watching her and her brother play retro video games I think that's fair to say - but it's very entertaining dammit! Don't knock it till you've watched at least one episode of Co-Optitude.
So, when she started promoting her book I was intrigued and pre-ordered it. Even so, it was likely to have sat on my to-read shelf for a long time since that's what I do, but for having just read Amanda Palmer's book and for a nudge from my wife, who'd also nudged me to read Amanda's book. Hmm, my wife has red hair, Amanda has red hair and Felicia has red hair and they have all recently (and ongoingly) inspired me. I'm noticing a trend.
Moving on. To be honest, initially I was slightly underwhelmed with the book. I was enjoying it, Felicia has a fun writing style with wit and a devilish self-deprecation I can truly relate to. But it wasn't until partway into it that I started to sense this was another important book for me to read at the moment.
It was the story of how she got The Guild from the worm of an idea in her head to an internet phenomenon that really inspired me. Mostly because it was a story of someone with a lot of doubt and confusion and similar mental habits/issues that I have. No mistake, we're very different with totally different backgrounds, but anxiety and depression are constants and the way Felicia describes her dealings with them rings very close to home for me.
And, just as I was a short while ago, Felicia played a lot of games - more than me, but at least not Facebook games, see I procrastinate around playing a decent game to procrastinate, it's another circle of not doing. She tells of how she kept putting off writing The Guild, and just generally not doing it for months and months. Then, with some encouragement and a large portion of guilt/why the hell am I doing not doing this-ness, she put a ridiculous constraint on how long she had to achieve her goal and she worked her butt off to achieve it. And so, The Guild was born.
Then no-one would produce it. So she did it herself, with friends of course not discounting them. But, the point is, she worked hard and she kept going and going until her dreams came to fruition and her story was told. She did what she loved because she got in there and did it.
She also learnt valuable lessons about not working too hard or being too much of a perfectionist, and I'll keep those in mind. For now, it's a matter of getting down and doing the things I love. This blog is a step in the right direction. Finishing some more of my writing goals will be more. I just have to keep working.
And of course - Keep dreaming too.
Tuesday, 8 September 2015
The Kraken Wakes by John Wyndham
As Amanda's book led me to think of giant squids as a sort of personal emblem, it made sense that the next book I read be John Wyndham's The Kraken Wakes. Of course, at the time I thought there was an actual kraken in the story, there isn't.
This was my third Wyndham novel. The first was, unsurprisingly, The Day of the Triffids, which I read for English in Year 9. I loved it and I'd say it was an important novel in shaping my fictional tastes. Years later I read The Midwich Cuckoos, which I enjoyed but is a much slower story that relies heavily on a sense of wrongness and foreboding.
The Kraken Wakes falls somewhere between the two. It follows a couple and their adventures in a bizarre and world-changing alien invasion. This is probably the only alien invasion story I've read where no-one on Earth knows it's been invaded till over halfway through the book. The narration is made by the husband and starts with an introduction that establishes that the invasion is over but not all is right.
From there he goes back to what he believes is the beginning, a mysterious series of meteorites, then progresses through a number of other mysterious phenomena that baffle experts and the media - of which the narrator and his wife are a part. The state of the shipping market is discussed several times and the resultant increase in air transport around the world is also detailed. The pace picks up when the aliens make their first appearance.
It's an interesting take on the invasion theme, and uses the idea that because the aliens - who live in the deepest parts of our oceans - live in very different ways to us we weren't aware of them straightaway and couldn't understand their motives or actions. Nor, presumably, could they understand human reactions to them. The one thing that was clear was the Earth wasn't big enough for the two of us.
There's some debate in the Goodreads reviews about Brian Aldiss's description of Wyndham's novels as 'comfortable disasters'. As I read this one I definitely understood the term. There's undeniably a disaster unfolding, on a global scale, and there are scenes of very uncomfortable action and emotion. Huge numbers of people are killed. However, it unfolds gently, from the perspective of a remarkably cool-headed and rational Englishman and his wife (whom I'm glad to report more than holds her own, it's a real partnership). There are discussions on markets and how events affect such things.
So, while it is a disaster novel worthy of the name and equal to any more dramatically presented member of the genre, there is a certain calmness to the whole proceedings. Then there's the framing device of knowing the disaster is over and that the narrator is presenting his version of events for future generations to consider. We know who wins.
All in all, it's an enjoyable read with some interesting SF ideas and some classic Wyndham action scenes amidst his more thoughtful scientific mystery business. It probably has less appeal than Triffids, it's certainly not its equal in terms of writing or story, but worth a look for fans of the genre.
Keep dreaming!
This was my third Wyndham novel. The first was, unsurprisingly, The Day of the Triffids, which I read for English in Year 9. I loved it and I'd say it was an important novel in shaping my fictional tastes. Years later I read The Midwich Cuckoos, which I enjoyed but is a much slower story that relies heavily on a sense of wrongness and foreboding.
The Kraken Wakes falls somewhere between the two. It follows a couple and their adventures in a bizarre and world-changing alien invasion. This is probably the only alien invasion story I've read where no-one on Earth knows it's been invaded till over halfway through the book. The narration is made by the husband and starts with an introduction that establishes that the invasion is over but not all is right.
From there he goes back to what he believes is the beginning, a mysterious series of meteorites, then progresses through a number of other mysterious phenomena that baffle experts and the media - of which the narrator and his wife are a part. The state of the shipping market is discussed several times and the resultant increase in air transport around the world is also detailed. The pace picks up when the aliens make their first appearance.
It's an interesting take on the invasion theme, and uses the idea that because the aliens - who live in the deepest parts of our oceans - live in very different ways to us we weren't aware of them straightaway and couldn't understand their motives or actions. Nor, presumably, could they understand human reactions to them. The one thing that was clear was the Earth wasn't big enough for the two of us.
There's some debate in the Goodreads reviews about Brian Aldiss's description of Wyndham's novels as 'comfortable disasters'. As I read this one I definitely understood the term. There's undeniably a disaster unfolding, on a global scale, and there are scenes of very uncomfortable action and emotion. Huge numbers of people are killed. However, it unfolds gently, from the perspective of a remarkably cool-headed and rational Englishman and his wife (whom I'm glad to report more than holds her own, it's a real partnership). There are discussions on markets and how events affect such things.
So, while it is a disaster novel worthy of the name and equal to any more dramatically presented member of the genre, there is a certain calmness to the whole proceedings. Then there's the framing device of knowing the disaster is over and that the narrator is presenting his version of events for future generations to consider. We know who wins.
All in all, it's an enjoyable read with some interesting SF ideas and some classic Wyndham action scenes amidst his more thoughtful scientific mystery business. It probably has less appeal than Triffids, it's certainly not its equal in terms of writing or story, but worth a look for fans of the genre.
Keep dreaming!
Thursday, 20 August 2015
The Art of Asking - or how I came to embrace my giant squid
I remember the first time I met Amanda Palmer. It was at a signing (for context here's a blog I wrote at the time), so it was over fairly quickly. All I said was thank you, and I smiled. She smiled back and looked me straight in the eye.
At the time I couldn't comprehend that she could be interested in me as much more than another face in a line of fans. The look in her eye said otherwise. Yes, she was in a daze, but in the moment she was searching me, looking for a connection, trying to see if I'd enjoyed the show - her Fraud Police were in force that night.
She talks about eye contact and communicating by making these connections with people in her book, The Art of Asking. She also talks about the Fraud Police which I'll get to in a minute. For her, these connections are easy to make, second nature really. She's been making them since she was fresh out of college earning money as a living statue (and yes, earning is the right word, it's not a job I envy).
For me, it was startling and unlooked for, almost unnatural. My learned behaviour is a reflexive wall to keep people out, or myself in I don't know which. So when she reached out in that moment ...
Her book also made me look back at my writing and theatre careers that weren't. I was trying to make theatre, but it all stopped. I stopped. I stopped asking, I stopped making connections. I started listening to the Fraud Police.
The Fraud Police are those voices we hear in our heads saying we're not really what we seem, people will soon realise we can't do what they think we can etc.
I did make one big connection some years ago however, when I met my now wife. And she believed in me when I didn't, and that was enough for me to start writing again. It's even been enough for me to start putting some writing out there - this blog for instance - and ask in a general way for people to read it. But there's still Fraud Police.
Symbolic of all this is the giant squid. Yes, I said that. There's a scene in The Scarlet Ring with a giant squid, and when I've told people of the book I often end up feeling apologetic about describing a book that has that scene. Which is ridiculous when I would never hold it against anyone else's book and even count it as a good reason to read it. But there it is. And my wife is aware of that, and bought me a kraken bottle opener. She even forced me to tell someone about it - there was context - and the person in question thought it was cool.
Amanda's book showed me that if I'm going to find my audience I have to ask the question - will you read my book? To ask the question I have to accept that no is an answer and so, more frighteningly, is yes. I have to connect with people, to be honest and open with them. Even if that simply means letting people read about the giant squid.
Amanda's honesty and openness have inspired me. I will release the kraken!
Keep dreaming!
At the time I couldn't comprehend that she could be interested in me as much more than another face in a line of fans. The look in her eye said otherwise. Yes, she was in a daze, but in the moment she was searching me, looking for a connection, trying to see if I'd enjoyed the show - her Fraud Police were in force that night.
She talks about eye contact and communicating by making these connections with people in her book, The Art of Asking. She also talks about the Fraud Police which I'll get to in a minute. For her, these connections are easy to make, second nature really. She's been making them since she was fresh out of college earning money as a living statue (and yes, earning is the right word, it's not a job I envy).
For me, it was startling and unlooked for, almost unnatural. My learned behaviour is a reflexive wall to keep people out, or myself in I don't know which. So when she reached out in that moment ...
Her book also made me look back at my writing and theatre careers that weren't. I was trying to make theatre, but it all stopped. I stopped. I stopped asking, I stopped making connections. I started listening to the Fraud Police.
The Fraud Police are those voices we hear in our heads saying we're not really what we seem, people will soon realise we can't do what they think we can etc.
I did make one big connection some years ago however, when I met my now wife. And she believed in me when I didn't, and that was enough for me to start writing again. It's even been enough for me to start putting some writing out there - this blog for instance - and ask in a general way for people to read it. But there's still Fraud Police.
Symbolic of all this is the giant squid. Yes, I said that. There's a scene in The Scarlet Ring with a giant squid, and when I've told people of the book I often end up feeling apologetic about describing a book that has that scene. Which is ridiculous when I would never hold it against anyone else's book and even count it as a good reason to read it. But there it is. And my wife is aware of that, and bought me a kraken bottle opener. She even forced me to tell someone about it - there was context - and the person in question thought it was cool.
Amanda's book showed me that if I'm going to find my audience I have to ask the question - will you read my book? To ask the question I have to accept that no is an answer and so, more frighteningly, is yes. I have to connect with people, to be honest and open with them. Even if that simply means letting people read about the giant squid.
Amanda's honesty and openness have inspired me. I will release the kraken!
Keep dreaming!
Thursday, 13 August 2015
A Song of Ice and Fire - Finally I'm Up to Date
Last night I stayed up later than was wise because I was so close to my destination and I had to reach it. And reach it I did, I finished A Dance of Dragons and am finally up to date with George R.R Martin's A Song of Ice and Fire. Now I join the throngs waiting for the next book.
It's called an epic fantasy and it really is in every sense, and reading it is certainly a journey. There are many fantastic vistas, especially when you get into the later books (which I guess will end up being the middle books by the time this thing is done), and I've loved visiting them and learning of the cultures and histories which are all vividly painted.
The characters are equally strong and Martin alters the writing to fit each perspective well, which can make the text read in troubling ways at times, but these are troubling characters and disturbing times.
The saga is certainly dark, with sometimes shocking violence and of course plenty of sex which is often quite twisted itself. However, I don't feel Martin has truly earned the reputation he has for killing off everyone's favourite characters. There are many, many deaths but very few characters that I actually care about have died so far. Some have appeared to die in one book only to turn up in the next - something I'm not ruling out come book six.
Finally, I'll just say, I'm happy in my decision to stick to reading the books and not watching the series. I did watch the first season and it was good television, but it felt like a Reader's Digest version of the story. There's no way to give the same depth to the characters and cultures in the show as in the books and for me that's what makes A Song of Ice and Fire so good. I also want to stick to one version of the story. There were two many unnecessary and quite odd changes in the first season, from what I've heard they only increase as it goes on.
Anyway, that's my very brief opinion on what is a vast story of considerable complexity. The journey is not always pleasant but it is worth taking if you can find the time.
Keep dreaming!
It's called an epic fantasy and it really is in every sense, and reading it is certainly a journey. There are many fantastic vistas, especially when you get into the later books (which I guess will end up being the middle books by the time this thing is done), and I've loved visiting them and learning of the cultures and histories which are all vividly painted.
The characters are equally strong and Martin alters the writing to fit each perspective well, which can make the text read in troubling ways at times, but these are troubling characters and disturbing times.
The saga is certainly dark, with sometimes shocking violence and of course plenty of sex which is often quite twisted itself. However, I don't feel Martin has truly earned the reputation he has for killing off everyone's favourite characters. There are many, many deaths but very few characters that I actually care about have died so far. Some have appeared to die in one book only to turn up in the next - something I'm not ruling out come book six.
Finally, I'll just say, I'm happy in my decision to stick to reading the books and not watching the series. I did watch the first season and it was good television, but it felt like a Reader's Digest version of the story. There's no way to give the same depth to the characters and cultures in the show as in the books and for me that's what makes A Song of Ice and Fire so good. I also want to stick to one version of the story. There were two many unnecessary and quite odd changes in the first season, from what I've heard they only increase as it goes on.
Anyway, that's my very brief opinion on what is a vast story of considerable complexity. The journey is not always pleasant but it is worth taking if you can find the time.
Keep dreaming!
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